Slush Pile Warrior - Charlene Haukom

Slush Pile Warrior - Charlene Haukom

Welcome to another edition of Slush Pile Warrior. This feature strives to highlight the trials and tribulations of pursuing publication. This month, I am delighted to present Charlene Haukom.

Charlene, please tell us a little a little about yourself:

I was lucky enough to have a great teacher in high school that encouraged me to take an advanced writing course. I’ve been writing ever since. I had another great English teacher in college who told me she’d see my name in print some day – she was right. Soon after she made that comment, I was published in the school newspaper and then the literary magazine. Fueled by my early publishing success, I majored in Mass Communications with a Concentration in Journalism (not knowing of any other kind of “writing” degree), though I preferred writing literary fiction over news reports. Over time I was drawn more and more to children’s writing, and here I am 9 ½ years later still trying to break in!

How many submissions do you have out there now?

Hehehe. Believe it or not, I only have two picture book manuscripts out right now. After a recent round of rejection, rejection, rejection, I started putting everything back in the file cabinet rather than sending them out again. While I’ve definitely developed a thicker skin, it still hurts to get the famous “not right for us” letters. When I find myself hitting a wall over and over again, it’s time for a change of pace. Right now I’m sitting on my rejected picture book ms’ and focusing on a mid-grade novel. It’s baseball season, after all, and that’s when Jake (the MC) likes to come out to play.

How do you research where to send your manuscripts?

I like to target where I send my manuscripts (to cut down on those letters mentioned above). I start with the basics, CWIM, the online version of Writer’s Market, the book and magazine market books that ICL puts out, etc. When I find editors or agents that I think might be a good fit, I search the net for anything and everything I can find on those people and rule out those that I think aren’t the best matches. At this point, my head is usually spinning, so I stop searching and just monitor some of the major boards (blue, of course)/blogs/interviews and bide my time. Sooner or later, someone I’m interested in will show up at a conference nearby. Then I beg and plead my family to let me go, which of course they always do because they’re super-supportive and wonderful. Even so, conferences are expensive, so I don’t get to go all that often. If I’m lucky, more than one of the people I’m interested will be speaking at the conference I’ve chosen. If I’m luckier, one of them will spark enough interest to pursue. Once upon a time, I was great at rationalizing and twisting and doing whatever was necessary to convince myself that so and so was a great fit. Eventually I realized that all that did was waste their time, my time, and earn me one of those dreaded letters! Now I only send to people that I’m convinced are a good match, and I usually send it exclusively out of respect - is it any wonder I only have two subs out right now?

What was your biggest submission goof? What did you learn from it?

Hahaha! LOL. Oh, dare I say? My very first submission broke every rule in the book, I think. Let me just remind everyone that I’ve been doing this for nearly a decade, so it was a LONG time ago. This was before I joined SCBWI, and before I even joined a critique group. TWO VERY BIG NO-NO’s for any newbies out there that might be reading this. So let’s see, after doing my homework and researching (or so I thought), I sent off my delightfully long and charming cover letter with RHYMING picture book manuscript enclosed. The manuscript that I proudly co-wrote with my 2-year old daughter, and didn’t mind saying so (still don’t, by the way). The manuscript that contained…oh no, say it isn’t so!...a stick figure drawing in the corner because that stick figure is what made the book so darn funny! While it’s true the stick figure is quite funny, I must admit I’m not a trained illustrator. And I’m not a poet, either. And yes, I do know that this paragraph is riddled with sentence fragments.

So what did I learn from this shameful experience? I learned how to be very, VERY embarrassed. LOL. No, seriously, I learned a lot. While I waited for a response (yes, a “not right for us” letter), I kept reading and researching. I joined SCBWI and a critique group, and very quickly learned about the very big mistake I had just made. I quit sending out manuscripts and just focused on learning more about children’s writing and improving as much as I could. I also learned to be very sympathetic toward editors and agents. They get hundreds of submissions like my first one EVERY WEEK, and yet they’re still in the business!

Why do you want to be a writer?

LOL! This is fun. I sure have laughed a lot today. While many, many inappropriate and sarcastic thoughts come to mind, I can’t think of anything to say here. I don’t know. There’s something magical about books, and especially children’s books. When you walk into a bookstore, you feel it. You’re surrounded by magic and your nerve endings start to tingle as you decide where you’re going to look first. Do you let your fingers brush lightly across the beautiful, satiny images bursting out of picture books? Or do you go to mass-market paperbacks and read the tantalizing description on the back to see if it’s going to draw you in? Hmmm…I think I need to go shopping now! It’s been too long since I’ve been in a bookstore!

What is your favorite style of writing? Why?

Oh, I like everything. I don’t know that I can answer this question. OK, I got one. No two. These are things I DON’T like, since I really do like pretty much everything. I don’t like MG/YA that tries too hard to be current. Like when they use BFF every other sentence because that’s what people are saying now. Who knows what people will be saying in the future? I prefer things to be more timeless. I’m also not wild about present tense writing. It seems unnatural to me. Just a personal preference, folks; I know it’s very popular.

What is the most frustrating thing about being a writer?

“Though your project sounds interesting, I don’t feel it’s quite right for our list.”

What is the most rewarding thing about being a writer?

“By Charlene Haukom”

No, no, just kidding. The most rewarding thing so far is something my daughter did recently. She pulled out one of my picture book manuscripts (one of the ones parked in the file cabinet) and read through it. I didn’t know what she was doing until she went over to the table and asked me what “level” of book she just read. Then it occurred to me what she was doing – her reading homework! She’s supposed to read every day and fill out a log that includes title, reading level, and time spent reading. I was so honored that my daughter considers my manuscripts “real books”. Hopefully someday I’ll be able to convince someone else of that!


What is the most important thing you’ve learned about writing?

How to overcome obstacles one small step at a time.


Have you been published? If so where?

Yes, I was a content writer for http://www.preschoolrock.com/ where I published over 65 games, articles, and book reviews. I’m also a freelance writer for The Community Voice, a local newspaper.


How can people find out more about you? (website, etc.)

My website is currently under construction and will eventually be http://www.charlenehaukom.com/, but for now, the only place to learn about me is through these wonderful interviews and by reading the Internet articles I’ve written.


Is there anything else that you would like to share?

Thanks for this opportunity. I’ve had a lot of fun answering your questions. For any other slush pile warriors out there who haven’t joined SCBWI or a critique group, DO SO NOW!

Thanks for stopping by Charlene. That was a great interview.

Slush Pile Warrior - Susie Sawyer

Slush Pile Warriors is a new feature which showcases both unpublished writers, established authors, and everyone in between. It focuses on the struggles of pursuing publication, and the things that different writers have learned in trying to make their way out of the slush pile. I am happy to begin this feature by introducing a very talented writer and poet, Slush Pile Warrior, Susie Sawyer.


Please tell us a little a little about yourself.

I grew up in northern Wisconsin surrounded by a family that loved words and music. I have no doubt my desire to write was influenced by daily exposure to song and written word. I attended college in southwestern Wisconsin, where I met my husband, started a career as a legal secretary and started our family. In 2003, we moved back to northern Wisconsin and have since expanded our family to five.

That's when I decided to seriously pursue my interest in writing for children. I spent much of the first year or so learning the business and reading stacks of "how to" books. I found web sites like SCBWI (Society of Children's Book Writers and Illustrators), Write4Kids and JacketFlap extremely helpful. I also found a slew of information and support at the sites of Harold Underdown and Verla Kay. But it was my involvement in two amazing critique groups that benefited my writing the most: The Poets' Garage and The Prose Shop. Of course Kevin, you are well aware of these groups.  The in-depth critiques and advice I get from these groups continues to be an invaluable part of my writing process.


How many submissions do you have out there now?

According to my submission tracker, I have four manuscripts (a couple are submitted at more than one house), and at least six contest entries being considered.


How do you research where to send your manuscripts?

Every year I buy the CWIM (Children's Writer's & Illustrator's Market) and rely mostly on that to begin my research. Beyond that, I use JacketFlap, Harold Underdown's site, Write4Kids and SCBWI, not to mention the information shared with me by fellow writers. Of course, my final research takes place at the web site of the targeted publisher. With the industry changing so fast and frequently, you have to make the publisher's site your final stop before submitting.


What was your biggest submission goof? What did you learn from it?

As I look back at my early subs, I can see that my manuscripts were not nearly polished enough, or well targeted. I made the mistake of sending out my work too early, and to every possible publishing house. The onslaught of rejections was a clear indication that I was doing something wrong. Eventually I learned the art of carefully making a list of potential publishers and organizing it into those that were the best fit, the next-best fit, and the last resort.


Why do you want to be a writer?

What a great question. I really had to think about my answer. I guess I have always been the creative type, so it's certainly an outlet for me that way. But mostly, I think it's the thrill of having a chance to get inside the heads of all those wonderful, amazing kids out there - and being able to plant an idea that makes them smile or say "Wow!" … or just feel something they would not have otherwise. It's a huge responsibility, writing for children, and I don't take it lightly. I want children and the people who read to them to put down my book and feel that it was time well spent.


What is your favorite style of writing? Why?

Poetry, because of the "music" of it. I love the feel of it, the sound of it, the movement of it. When it's done well, it can be incredibly powerful and a great teaching tool. And if it's funny, even better!

I also love the freedom of writing fiction, especially for young children (0-12). I've never liked doing research so I indulge myself in fiction, where I can make anything happen.


What is the most frustrating thing about being a writer?

Striking a balance between what I want to write and what an editor wants to buy. If I write what I think will sell, it's often not what I love to write. But when I try to sell what I love to write, I sometimes struggle to find a home for it. I think we writers needs to be true to our hearts, and continue to write what we love to write. It will show in the quality of our work and eventually will be noticed.


What is the most rewarding thing about being a writer?

Sharing my work with children firsthand. Nothing brings me more joy than seeing a smile of the face of a kid who just read or heard something I wrote. School visits are the best!


What is the most important thing you’ve learned about writing?

Not to give up. Also, to make connections with other writers. I have the most wonderful people in this business. Many have become friends that I know I'll keep for the rest of my life. Nobody understands the struggles of being a writer better than another writer.


Have you been published? If so where?

Why yes, I have!!  My poem, The Mermaid was a winner in the Delaware Art Museum's "Art of Storytelling Contest." That same poem is being developed into a picture book, to be illustrated by the amazing artist, Angel Dominguez. My poem, Ask Yourself a Question, won the grand prize in the 13th edition of "Say Good Night to Illiteracy", published by Half Price Books in 2006. I've also been published in the SCBWI "Bulletin" with The Assignment, and online at Tippytales.com with two "Adventure Tales" (A Camping Trip to Remember and Just a Matter of Time). I've also had several poems published in "KidzWonder."


How can people find out more about you? (website, etc.)

Please visit my website: www.susiesawyer.com. You can find out more about me, the works mentioned above, and my other projects there. I LOVE hearing from visitors - please take a moment to sign my Guestbook!


Is there anything else that you would like to share?

Just that I strongly encourage anyone considering writing for children to pursue it. Follow the advice of seasoned writers, join the writing groups, read the "how to" books, go to the seminars and workshops if you can. But most importantly, read as many books as you can that are similar those you want to write, and write every day.


Thank you for stopping by Susie. It was a pleasure hosting you on my blog.

Thank you so much, Kevin, for giving me a chance to introduce myself. I've really enjoyed answering these questions. I feel like I've gotten back in touch with why I do this, and just how far I've come since I began writing for children.

More from the SCBWI Conference

I’m a veteran of three SCBWI New York conferences. I’d like to attend more, but my schedule and day job won’t allow for it. But I still think its well worth the effort. It gives me chance to meet other people in the industry and gives me a better perspective of what’s going on with children’s books in general.

The SCBWI Conference was held in a new location, at the Grand Hyatt on 42nd St. I have to say that I’m a fan of this new location. It had a better layout than the last location I was at on 6th Avenue and it had better amenities. I hope SCBWI picks this location again for its conference next year.

Anyway, the main thing I came away with from the conference is that the children’s book publishing industry is still in fairly good shape. There have been layoffs at some of the houses, but the overall consensus was this is a necessary adjustment being that many industries are being forced to tighten their belts. Also, children’s books may fare better than adult publishing through this recession, because parents tend not to skimp on their children. So a parent may forego buying a book for themselves, but they’ll probably still buy a book for their kids. Also, there will still be distribution opportunities for libraries and schools as well. So as someone who will be releasing their first book in the middle of a nasty recession, that made me feel a little better about my book’s chances.

But the effects of the economy were still very evident at the conference. I attended a workshop with an editor at Delacorte who informed us halfway through the workshop that she had been laid off last week and couldn’t accept any submissions from us. She gave us her former boss’s email address to send submissions to instead. I felt sorry for that editor. Having to do that workshop must have been terrible, knowing that you have no job but you still have to represent your former company. But I also felt terrible for the attendees who wanted to submit to Delacorte. There was no real connection or networking opportunities to made from this workshop. I feel like everyone involved got short-changed here.

But I’d say that overall, the conference was a success and I took a lot away from it. I’m already looking forward to next year.

Time to Rethink the Marketing Plan

I went to the SCBWI Winter Conference in New York City over the weekend and I think that it was pretty productive for me. For the uninitiated, SCBWI stands for the Society of Children’s Book Writers and Illustrators. The writer’s intensive was very helpful. I received feedback on two manuscripts that I think will really help make them stronger stories. I’m going to start revising them shortly.

One thing of interest, during the morning session of the writer’s intensive I was sitting next to a man who had pictures of barnyard animals taped to his bright yellow shirt. He also had some phrase written on the back of his shirt that I couldn’t make any sense of.

It turns out that that the phrase on his back was the name of his unpublished book and the barnyard animals were the characters. Apparently he thought that this was a good idea to get himself noticed by editors. It was, but I don’t think it was in the way he anticipated.

I know that for published books, some authors do all kinds of stuff to get themselves noticed. But that’s OK, they’re promoting a published work and they’re trying to get the book buying public to pay attention and buy their book. They have to compete with TV, the internet and all the other distractions of daily life. So for me, published authors get a pass on whatever method they choose to promote themselves and their work.

But in a writer’s intensive where people in the industry are actively evaluating your unpublished manuscript, that kind of wacky stunt just doesn’t fly. It’s the same kind of stunt that you see on American Idol when someone who can’t sing a note, shows up in a gorilla suit. And it get’s the same results. It’s all about the writing, period.

The agent at my table was a good sport though. Before the manuscript was critiqued, this writer stood up to show all the barnyard animals on the front of his shirt and then turned around to show the manuscript’s title on his back. The agent smiled and said “memorable.”

The story was a little less memorable. It was a cute enough idea and the writing itself was alright, but it had a completely unworkable plot. Unfortunately, I think he really believed that he was going to walk away from the intensive with a book contract.

I saw him at another table for the afternoon session. The yellow shirt was gone, replaced by something more conservative. I think he got the message and rethought his marketing plan.

I hope that he takes the comments and uses them to write a stronger story and perhaps next year, he’ll come back as a stronger writer for it. I really hope that he leaves the yellow shirt at home too.

I’ll try to write more about the conference, a little later this week.

Kevin